Category Archives: Planning

Too much to do and not enough time?

By Emily Arvay

 

Q: Why is time management so hard?

A: There are many different reasons for why time management is hard. Lots of students might wait until things are already off the rails to think about time-management. And when you are in triage mode and putting out fires, taking the time to create a time-management plan can seem counter-productive. Also, students sometimes create vague or unreasonable time-management plans that set them up for failure. So within a week of setting up their plan, they are already behind and then just abandon the plan.

Often, time-management plans are unworkable because the student has neglected to really think through and spatialize their course requirements in enough detail. Frequently, students already in a state of panic about missed assignments and late penalties might find it challenging to think through complex processes in a step-by-step way due to elevated cortisol levels that often come with anxiety, not to mention sleep deprivation from pulling successive all-nighters.

Ironically, one of the great benefits of building a reasonable time-management plan is that it can greatly reduce that sense of panic by restoring to students a sense of control over their lives – once the plan is in place, a student need only review the items for a single day, hold those items in mind, and let go of the rest. So, to use a metaphor, instead of staring at the top of a mountain wondering how can I possibly climb that, a student need only look to the closest tree and hike to that point.

More importantly, having a good plan in place can prevent burnout because it enables students to give themselves guilt-free permission to set school-related activities aside. If you have ticked all of your to-do boxes for the morning, you can go for that walk to the ocean. Or, if you have completed the task you needed to do after dinner, you can binge-watch whatever new series you enjoy without feeling that you are somehow not doing enough.

One added perk that comes with good time-management plans is that students often find interpersonal tensions related to poor well-being or the perception of overvaluing school at the expense of significant relationships really improves, which can generate a supportive and motivating feedback loop.

But setting aside the impact of stress, anxiety, sleep deprivation, and interpersonal strain, more commonly students may not give much reflective thought to how much time it takes to complete different tasks and then do the math to see what that process looks like when spatialized.

 That is, not many students time themselves to see how long it might take to read one page of a challenging but not overly difficult academic article, or how long it might take to write 250 words of an essay. So, in underappreciating how long certain tasks might take, students also can set themselves up for failure in terms of time-management.

Most often, when I ask to see how students are presently managing their time, what I see spatialized are assignment deadlines, marked in an agenda or on their computer calendar, or on the whiteboard. What I most often see are a string of dates for submission: something along the lines of submit English research paper today at midnight and that’s it. Or a student may dedicate large coloured squares of time to different subjects: on Mondays, there might be a large blue square for Math in the morning and then a large green square for Biology after lunch, but without any indication of what particular tasks are intended to be completed during those intervals.

What is notably absent from most time-management plans are the most important elements: catch up times and necessary activities such as buying groceries, eating, sleeping, getting exercise, socializing, doing things that make you feel good about your life.

Also, sometimes what students “label” poor time-management might actually be something else, such as procrastination due to perfectionism, or writer’s block due to a fear of failure seeded by familial expectation, or a sense of dread created by overly-critical thoughts, or poor self-discipline from a lack of intrinsic motivation or greater sense of academic purpose.

So for students who find it difficult to stick with an otherwise reasonable and well thought out time-management plan, it might be worthwhile to give some thought to what, in particular, is behind poor time-management. In those moments when a plan is abandoned, it might be worthwhile to draw greater awareness to what kinds of thoughts or feelings might be surfacing to prevent the completion of that task? If the underlying issue is perfectionism, or fear of failure, or lack of purpose, there are related strategies students might use to overcome those challenges too.

 Q: What are some effective strategies?

A: To create a time-management plan with enough detail, I would forgo sticky notes, or those tiny paper planners, or even a white board in favour of a some type of electronic planner, if possible. This strategy often allows students to squeeze in more information, cut and paste items efficiently, and even automate important reminders. But really, use whatever system will work, since there is no point in generating a time-management plan that is not regularly consulted and, for some people, the physical reminder of a white board is key.

I would recommend that students build comprehensive time-management plans in the first week of the term when they have access to all of their course syllabi. First, I would recommend coding in necessary items, such as meal times, ideal start and stop times, times for exercising, times for commuting to work, times for enjoying hobbies, times to enjoy friend or family commitments. Perhaps you might decide to take each Saturday off to recoup from school?

Then code in major deadlines, noting the weight/value of each, time they are due, preferred method of submission. Then spatialize, working backwards from the deadline, all the tasks required to complete that assignment. So if the assignment is a seven page research paper requiring you to cite ten academic sources, code in the time to write each of those seven pages, time to create your outline for writing, time to collate notes and quotes from selected sources, time to read those ten sources, time to locate and upload or print those sources. Once this process is complete, time also to book an appointment with a CAC tutor, and time to integrate their feedback into your final draft before submitting that assignment.

I would do the same process for each major assignment, leaving in one hour of catch up time for each hour of time worked so that if things really start to slip sideways, if there is an unexpected illness or extenuating life circumstance that pose a setback, there is still plenty of wiggle-room left to shift items around.

Likewise, I would ask each student to give some thought to how long they can reasonably focus. Some students prefer to work for two-hour intervals without interruption followed by a long break. Some students find they focus best in 25 minute intervals with 5-10 minute breaks. Some students do their best work early in the morning, with their first cup of coffee. Some students work best after dinner into the wee hours of the night. Regardless of whether you are an early bird or night owl, you might give some thought to what time of day you tend to sustain greatest focus, think most clearly, and can produce your best work. If you can identify that time, I would complete your most challenging task then.Likewise, you might give some thought to the hours of your day that you tend to feel more foggy or sluggish (for many this is right after eating a large meal, or right before bed) so you might want to devote your easiest work to those periods of time?

You might also think about ways you might incentivize the completion of hard tasks. Perhaps you might go for a run, then sit down to complete a hard task. Or perhaps you might complete the hard task knowing that, once completed, you can reward yourself by listening to your favourite song, or watching comedy on Youtube, or eating a bowl of ice-cream.

Q: What should a student do when they simply DON’T have enough time?

A: If you find yourself in triage mode, it might be wise to adopt a “good enough” mentality that is dispassionately strategic. To this end, you might consider….

  • Which assignments are worth the least? Which readings do you NOT have to read? Which feed into assignments? Which readings can you skim?
  • Read the abstract and headings. Read only the intro and conclusion and forget the middle. Read topic sentences. Read phrases that are italicised or in bold. Read (peer-reviewed) reviews of that work to obtain a scholarly synopsis (rather than online cliff notes, etc).
  • Tag team with a trusted classmate. You read one article and they read the second; you share with each other what you have learned.
  • Ask instructors for extensions as soon as you realize you are in an impossible time crunch. Avoid asking for extensions on the day of your assignment deadline. Keep your email to your instructor simple and straightforward. Include your full name, course section, and V number. You do not need to explain why you are requesting an extension beyond using a phrase such as “difficult extenuating circumstances.” Suggest an alternative deadline, one that gives you more time than you need to avoid having to ask for an extension on your extension! Thank your instructor for their time and consideration.

 For more time-management strategies, you might listen to this podcast.

 About the author

To show the author's faceEmily Arvay completed her PhD at the University of Victoria in 2019 with her thesis “Climate Change, the Ruined Island, and British Metamodernism.”  Since then she has worked as a Learning Strategist and EAL Specialist at the University of Victoria. She is currently conducting further research on the intersections between literary metamodernism and contemporary climate fictions.

 

 

 

 

 

 

 

 

Writing the Dissertation Proposal

By Emanuela Yeung

After finishing my major and minor candidacy exams (which took several years of research), the prospect of writing the Dissertation Proposal (DP) seemed like a daunting and mammoth task. Like many other graduate students, I had a number of different avenues I wanted to explore and had difficulty narrowing down an area of interest, let alone a specific research question. When I began “seriously” working on my DP, months seemed to go by without much progress, yet in the end (after about 6-7 months of reading and note-taking), I was able to write a complete draft in about two weeks. Admittedly, this was surprising to me, as I was used to “big papers” taking months and months of writing; however, looking back I can identify 2 points about writing that helped me better understanding the process.

  1. “Writing” isn’t “typing,” but rather a process that includes reading and note-taking

It did not feel like it at the time, but most of the work that went into my DP was completed during my research visit to the University of Copenhagen. After teaching for two semesters, I was fortunate to have four whole months to focus on my own research and luxuriated (as one of my dissertation committee members put it) in reading whatever I wanted day in and day out. I had gone to Copenhagen with the intention of working on my proposal, but in practice I became interested in the work that was happening at the research centre and read many papers and books that were outside of my own discipline. I filled several notebooks with a seemingly disparate assortment of notes and ideas, and when I returned to Victoria I had to admit to my supervisor that I not made much progress in my “writing.” However, the bulk of my DP ended up being comprised of these notes with just a few transitional and connecting paragraphs and sentences added in. It was in weekly progress meetings with my supervisor that I was able to articulate the common themes the ran through much of what I had been reading, as well as the open questions that had yet to be addressed. These open questions became the starting point for my dissertation project and the background/introduction of the proposal itself.

  1. Reframing the task at hand might be the impetus you need to start

My DP began as a ten-page grant proposal that I decided to apply for five days before the deadline. Given that I had written several funding applications in the past, I was familiar with the structure (background, literature review, objectives, method, implications) and could break the task of writing down into smaller, more specific steps. After submitting this application, I was able to use the proposal as a detailed outline for my DP. What had seemed like an overwhelming task (writing a dissertation proposal from scratch) became much more manageable and I was able to turn the grant application into my proposal in about ten days by expanding on, and adding detail to, the structure that was already there.

I often find the biggest hurdle to writing is getting the first sentence on the blank page, however, it’s important to keep in mind that writing is (long) process that involves reading, doing research, and note-taking. By recognizing this, I find there is less pressure to write so many words or pages a day, and much of my “writing” involves integrating or restructuring notes that I have already written. Moreover, reframing a large project (such as a dissertation proposal) into a series of smaller papers or into a format that I’m already familiar with (e.g., grant proposal) has helped to motivate me to keep moving forward.

Emanuela Yeung

About Emanuela

Emanuela Yeung is a PhD candidate and sessional lecturer in the Department of Psychology. She received her MSc. from UVic in Lifespan Development and BSc. from the University of Toronto in Psychology and Human Biology.

Know thyself: A conversation with Dr. Lisa Mitchell about writing

By Madeline Walker with Lisa Mitchell

Last week, I wandered over to Cornett to visit Dr. Lisa Mitchell, Associate Professor and Graduate Student Adviser in the Department of Anthropology. We sat together in her cozy office on a cool March afternoon to talk about writing—a favourite topic for both of us.

Dr. Lisa M. Mitchell

I asked Lisa about her own graduate school experience—could she share any tips gleaned from writing her dissertation? Lisa admitted that she didn’t become as “deeply reflective about how to write and especially what to do if writing doesn’t go smoothly” until she had her own graduate students.  We agreed that we often learn best by teaching. Lisa’s experience supervising graduate students exposed her both to students who experienced writing as pleasurable and to students who experienced writing as terrifying, and this helped her to a realization.  “I needed to get more reflective about my own writing practice and what I might offer to them to work through problems or how to take the writing to a deeper level.” Here Lisa touched on a theme she returned to several times during our dialogue: self-reflection in writing. As we become aware of our writing process, we come to know and accept ourselves as writers, and therefore we become more effective at writing, making the most of our idiosyncratic methods.

Garnered from both her own writing experience and her experience supervising, Lisa shared some of the ways she guides graduate students when they run into writing trouble. “Don’t assume that writing is easy and don’t assume it’s something natural. Take it as an  aspect of your learning process. It’s a skill and needs to be practiced. Do it regularly so it becomes a habit and something you think about through that regular engagement.”

Lisa noted that in anthropology, writing is sometimes the site or space for analysis, and students may get stuck in their writing because they are “still in the process of figuring out the analysis and trying to sort it out.”  She went on to describe several ways to overcome barriers that arise when we try to think things through before writing them down.  “When I start a piece, it’s not unusual for me to have a very hazy, broad idea of what I’m talking about, but when I put pen to paper or fingers to keyboard, I am working out the analysis as much as I am working out the narrative structure.” Lisa paused thoughtfully. “When things don’t go well, when you start to stumble in writing, change it up a little bit. Pick a different topic for even a few minutes or a day or two. If you’ve been sitting with your computer, stop and try pen and paper. In some of my classes, I have a session where you get a sentence fragment to start and you have to keep writing for five minutes.  Just do freewriting. Unleash the initial apprehension about starting a writing session.”

Lisa also finds that using visual tools can help shift stuck writing.  “I rely very heavily on making diagrams with my students when working through not just writing but analysis. I need to move between the word, the mind map, and the flow chart, and sometimes it is enormously helpful to sit and talk about what you are trying to write and try to represent it visually. So you have both a sense of the component elements of your writing, but also there is something very freeing, very stimulating in moving away from the word and putting it into circles and arrows.”

Another method Lisa uses when she needs to change things up is voice. “I turn on a recorder and just start talking. Sometimes it’s just me and my dogs and I’m going to start somewhere, sometimes in the middle or sometimes I think this is where I want this paper to end up. It’s a bit time consuming because you have to go back and see if there’s anything you really wanted and at times there is and at times there isn’t, but generally that process begins to bring to the surface bits and pieces that I know need to be in the piece I’m working on.”

Lisa then stressed the importance of sharing your writing: “We end up writing in little closed off spaces and there is much value in thinking about how you can make the writing more social. Talk to other people about writing – don’t assume that other people are writing without problems, without crisis.  Sometimes, talking to other people about what you are writing is a way to express it differently.”

This led Lisa to think about how she shares her own work with colleagues: “I think particularly among faculty we are unwilling to share our unfinished, our unpolished drafty drafts, and I think there is enormous value in working through even some of the basic foundational elements of an argument or the structure of a piece by being willing to open yourself up a bit.”  She elaborated on the metaphor of writing as conversation, a metaphor that can liberate us from the intimidating prospect of writing a thesis or dissertation:  “Think of writing as a creative process. If you load it up by saying ‘I have to write my dissertation,’ that’s such a daunting process, whereas if you say ‘I want to ask some interesting questions’ and ‘I want to engage in some conversations,’ it’s so much more doable, and it also feels like something that is much more like our everyday lives. Although there are certain requirements for a dissertation or a thesis in the level of academic language, and you are engaging sources in a way you wouldn’t ordinarily in everyday conversation, by metaphorically framing what you’re doing as engaging in a conversation and asking interesting questions, you don’t take on that huge burden: ‘Now I must create original knowledge’ in five or seven chapters or whatever.”

I agreed that the conversation metaphor is very useful in academic writing, mentioning a helpful writing text based on the idea of dialogue, They Say/ I Say: The Moves that Matter in Academic Writing by Graff and Birkenstein (2010).

As the clock crept closer to the end of our allotted time, I asked Lisa for any further thoughts on how she writes best, and she reiterated the importance of opening up about your writing:  “I sometimes think the reason we don’t talk about what we’re writing is there’s always a risk that we won’t finish it, so we don’t talk about it.” “Yes,” I said, “like telling people you’re quitting smoking then starting again.”  Lisa laughed. “The list of things we would like to write is always longer than the list of what we actually manage to write, but I don’t think there’s any real shame in that. Sometimes part of the creative process is working through the possibilities and then settling on the one or the two that you’re ready to actually write.  I tend to think of myself as a non-linear writer, so I really am one of those people that sometimes just starts in the middle. I kind of know where I should end up, but I’m not too sure where I’m starting from. I think by this point in my career I’ve made peace with that process; I don’t stress about it very much anymore and I’ve also made peace with the fact that sometimes I start articles or writing pieces that don’t get finished. Sometimes I lose interest, and other times I can’t figure out a way to tell the story that is compelling to others. It may be something I found deeply interesting, but I think why would other people care about this?”

The ancient Greek aphorism “Know thyself,” from a memento mori mosaic from excavations in the convent of San Gregorio in Rome

I responded: “What I am taking away from what you have said, Lisa, is that self-reflection, self-knowledge about being a writer is extremely important. Once we know what kind of writer we are, we can make peace with that, work with it, instead of thinking we ought to be a certain way.” Lisa nodded in agreement. I left feeling validated—I am one of those “start in the messy middle” writers, and I was happy to know that others worked productively, even confidently, in this manner.  Thank you, Lisa, for sharing these ideas.  There’s no shame in being the writer you know you are. . . in fact, it’s cause for celebration. Writer, know thyself.

 

 


Lisa M. Mitchell is Associate Professor and Graduate Advisor in Anthropology at UVic. Her research interests are at the intersection of bodies, technology, and inequalities. She has conducted research on prenatal testing, perinatal loss and reproductive politics in Canada, on the visualizing technologies of medicine, especially ultrasound fetal imaging, on experiences and meanings of body and risk among impoverished children and their families in the Philippines and among street youth in Canada, and on bereaved parents’ use of social media.

 

 

 

 

Candidacy Exams: Just get them done!

 By Tracey El  Hajj

If you are a PhD student and candidacy exams are part of your program, you are either already thinking about them or very glad to have completed them (congratulations!). Candidacy exams, in the English Department at least, are structured in a way that allows students to read for months and then take the exam (twice: A Major Field and a Focused Field) either in the form of a take-home exam over a three-day period or an on-campus exam written in five hours. The exams have three major components: preparing, writing, and defending. This post will focus on the writing process for the three-day take-home exam.

First of all, before the day your exam is set to begin, take a moment to realize the amount of information you have acquired over the preparation period, embrace the fact that you have accomplished what you have so far, and acknowledge the fact that you have done your best and the time has come for you to engage with your knowledge and skills. Now you have the questions and you are supposed to pick one from each of the three sections. It goes without saying that you should pick the ones that sound the easiest and most doable for you. However, make sure to choose ones that allow you to cover the different texts you have to engage with and ones that allow you to demonstrate your understanding of the field as fully as possible. Some supervisors advise their students to set a back-up fourth question they could go to as a plan B.

Once you have picked your questions, pick the texts you want to refer to in your answers. Make sure you stick to the number of texts advised in your exam prompt and that the ones you choose do not overlap across questions. Once you have this down, breathe and pat yourself on the back; you’ve already done something. As a next step, outline your answers–yes, all three of them. Writing the outline will reveal to you that you know what you want to talk about and how you are going to approach it. It also eases you into the process of writing, and prepares you for the second and third day of your exam, during which you will be thankful that you don’t really have to do much brainstorming. Note that it is important that you have a thesis, or something close to that, as part of your primary outline. Also note that it is okay if these outlines change a little. Their purpose is to rid you from the heavy load of planning and brainstorming on your two later days, so minor edits are acceptable and even expected. Next, you write.

Start with the question you are least comfortable with. You are on your first day, you are well rested, and quite alert. You can tackle the hardest question. Besides, once you are done with this first answer, you will feel more confident and more comfortable approaching the two “easier” questions. When you are writing, follow the process you are most comfortable with: if you free write then go back, add sources, edit, etc., stick to that; if you write and edit as you go, do that. The point is, this is a very structured setting, so call upon your most confident strategies and adopt them. Make sure, however, that you are aware of the time constraints and that you have time to go back and edit your essays before you submit. In addition, keep going back to your main argument and make sure that your claims speak to it. Just as with any other argumentative piece, your thesis is meant to guide the rest of your work; this exam is no different. Your committee wants to read a work that is clear, concise, and coherent. Though they are aware of your constraints (time and word count), they also know very well how capable you are, and they expect a certain level of competency, nothing you haven’t already achieved. Aim to finish the first question on the first day; set the tone for the rest of the exam. Don’t worry about final editing right away. As you may know by now, it is good to step away from your work and come back to it with a fresh look. However, if you feel like you need to completely finish every question on its own, then do whatever keeps you in a good mental space.

A few things might come up as you are writing. This is a very stressful time; acknowledge that. If you feel the stress creeping up, and you think you need a break, take the break. Go for a walk, grab a coffee with a friend, call someone dear, take a breather. If you engage in a conversation and feel the urge to brainstorm with a friend, do that, jot down some notes while you’re at it. Do whatever you feel will keep you going. You know you can do this, but the setting and the structure are definitely adding to the stress. Some of your colleagues may have smoothly cruised through their exams, and you might as well. But if you don’t, you’re not alone in this. Many students, including myself, give in to the haunting load of candidacy exams; we make it through nonetheless. One way I managed to overcome a writer’s block on day one is a change of scenery. I went to a nearby coffee shop where other students were also immersed in their work. I set a goal (number of words) and only left after I achieved it. Once back in the original setting I automatically acknowledged the progress and felt a little more confident. It’s the little things, the little steps, the brief moments of “I got this” and the large coffees/smoothies/juices/energy drinks or whatever keeps you running. It is important that you eat well and be well rested. These exams are doable, that’s why they’re there. These exams are not meant to be easy though, and that’s also why they’re there. Just write those answers; get it over with!


About Tracey

Tracey is  a PhD student in the English Department at the University of Victoria. She received her Master’s from the American University of Beirut, after developing a Social Network Analysis tool for post-war Lebanese Anglophone novels. She currently works in the field of Digital Humanities, focusing on Critical Technical Practice. Her research focuses on the intersections between computing and culture, looking at how the humanities can help shape more socially aware technologies.  She is also a TA in the English Department and a tutor at the Centre for Academic Communication. Tracey has a passion for teaching alongside research.

Being passionate about your project is not enough: Be specific and plan well

Satty Virdi

By Satinder Virdi

Whenever I am asked what I’m studying at university, my response is always “I’m doing my Masters in Education.” This isn’t technically true as I’m actually completing a Master of Education known as the M.Ed. degree program. Apart from their titles, significant differences exist between a Master of Arts (M.A.) and an M.Ed. degree.

The M.A. in Education is a research degree primarily for students who have an interest in conducting research in the field of education. It is well suited for those who intend to pursue doctorate level study. In order to earn an M.A., students must complete and defend a thesis.

In comparison, the M.Ed. can be classed as a professional degree, which is ideal for licensed educators looking to expand their career options. This degree often focuses on more practical, field-based research and experiences, which critically evaluate educational practices. The M.Ed. does not require a thesis; however, it does contain research elements on par with the standard required by an M.A. This requirement can take the form of a capstone project, development of a portfolio, and/or comprehensive examinations.

At UVic, the final requirement of the M.Ed. program is a comprehensive examination. The penultimate task is the completion of a research project, which cannot include human subjects. The project is typically 50-70 pages and can take a number of different forms. While some projects are more theoretical, the majority aim to serve a practical purpose. Projects can range from policy development to the implementation of arts-based workshops.

The focus of my project is the mental well-being of schoolchildren. I am carrying out research that will be used by the Ministry of Education to establish guidelines for school leaders on how best to support the mental wellness of children in their schools. Mental well-being has become a recurring theme in my work over the last 10 years. During my time as a classroom teacher, I frequently came across students feeling stressed due to the fear of failure. In addition, a course I completed earlier this year sparked my interest in the mental well-being of schoolchildren further. This was a project that was completed for the Ministry of Children and Family Development. It focused on the provision of sexual health education in the schools of British Columbia. According to my research, one of the key elements associated with young people making sensible and informed sexual decisions was directly related to their mental health. This led me to investigate the Ministry of Education’s research priorities. I was unsurprised to learn that mental well-being in schools is a big agenda item for the Ministry at present. This motivated me to involve myself with the project in an attempt to support current research and investigate developments in this area.

My interest and passion for the subject led me straight to the UVic Library. I spent hours searching through various databases to find everything I could that has recently been written on mental well-being. At this point, I had no research questions or framework to work with, and I knew my approach wasn’t ideal. I downloaded paper after paper and had highlighting everywhere! When I attended my research methods class, my project supervisor taught me the importance of being specific. It was exactly what I needed to bring order to the chaos I had unintentionally created. Now that I knew exactly what I was searching for, it also lent a hand in beginning the writing process. There is no set format for writing your project. However, it is a good idea to use a basic outline regardless of the approach you use. Supervisors seem to like the three-part structure and it is what I am using too.

Following an abstract and table of contents, the first part of the write-up is an introductory chapter that explains the overall purpose and objectives of your project. It provides the general context that helps readers understand the problem being tackled and the significance of your research. Chapter two is where you outline the theoretical foundations and framework of your study. References to literature can help demonstrate your understanding of similar studies and the findings of scholars in your area of interest. The final chapter, which is what I am currently working on, is where you showcase your findings. Depending on the type of project you complete, this can take the form of a report, a workshop, or a piece of artwork. As part of the discussion and conclusions section, you can share ideas for further research or make specific recommendations.

At times writing my project has been challenging. Referring back to my original handwritten draft outline is what has always helped me stay on track. In my experience so far, being truly passionate about the subject alone hasn’t proven to be enough. What we learn and what we may know mean very little unless we can translate them into written words. Feedback from my supervisor states that my writing is persuasive and effective, which reassures me that I’m heading in the right direction. Focusing on one aspect at a time and writing in short bursts is working out well for me. As writers, our approaches and styles may vary, but I honestly believe that good planning can help lead the way for us all.

 

About Satty

Satinder (Satty) Virdi is a UK qualified secondary school teacher with 10 years of classroom experience. Since moving to Victoria in August 2016, Satty has been an M.Ed. Leadership Studies student in the Faculty of Education. She is currently completing her final project, which focuses on the mental well-being of schoolchildren. Along with her studies, she also works at the University of Victoria as a CAC tutor and the Teaching Assistant Consultant for the Educational Psychology and Leadership Studies department. Off-campus, Satty works as the Executive Director of The Society of Friends of St. Ann’s Academy; a non-profit organization, which raises awareness of and tackles issues of gender and social justice.