Category Archives: Centre for Academic Communication

How the Centre for Academic Communication can support your writing

By Madeline Walker

Experienced tutor Gillian Saunders helps a graduate student

In graduate school, students are expected to write skillfully in their disciplines, yet explicit writing instruction via academic writing courses is rare at the grad level. Moreover, instructors are not often able to provide the intensive mentorship many students require, and if they can, such supervision “is costly and time consuming” (Dunleavy, 2003, p. 4). Tutors at the Centre for Academic Communication help to close this gap in grad student support by providing regular meetings to talk about writing, help to plan writing, and work on specific writing issues.

Grad students benefit from CAC tutors’ knowledge of and experience in graduate academic writing.  Additionally, graduate students appreciate the continuity of support  we offer. For example, one MA student finds that meetings with her busy supervisor are sporadic, but she can count on a weekly meeting with a tutor to check in. Another Master’s student (EAL) saves questions throughout the week and uses his time with a tutor to check vocabulary, syntax, meaning, and organization of his thesis in computer science, questions he deems inappropriate to ask his supervisor.

Students also appreciate the encouraging, non-judgmental approach we take during tutoring sessions. Writing at the graduate level involves developing a new scholarly identity, and this process can be fraught with anxiety and self-doubt.  Students often feel reassured after meeting with a tutor because they realize they are on the right track. They can set goals and talk about how to be more productive—topics their supervisors may not have time to discuss.

Graduate students number over 3,000 at UVic, and they need academic writing support. With faculty members supervising multiple graduate students in addition to their teaching, research, and service commitments, the role of the Centre for Academic Communication has never been so important.  Connect with us by creating an account online and booking an appointment with a tutor. Check out our spring schedule for tutoring, workshops, and other services. Come to the Grad Writing Room, Library 151B on Fridays from 10 to 1, where you write in community with others. Or just drop by and say hello.  We’re located on the main floor of the  Mearns Centre for Learning – McPherson Library. We’d love to see you.

 

 

 

 

 

Reference

Dunleavy, P. (2003). Authoring a PhD: How to plan, draft, write and finish a doctoral thesis or dissertation. New York, NY: Palgrave Macmillan.

 

 

Make writing social

cropped-cropped-cropped-2110144017-2.jpg“Isolation is killing.” (Thomson & Kamler, 2016, p. 50)

Writing a thesis can feel isolating. Even if you are traveling the grad school journey with a cohort, you may get out of sync with others or feel different from the group. One way to break out of isolation and kick-start your writing is to connect with your peers and either write together and/or share your writing. Wendy Belcher, editor, teacher, and the author of Writing Your Journal Article in 12 Weeks, is a proponent of making your writing social and collaborative, whether through involvement in a writing group or with a writing partner. Writing with others can allay writer’s block and other forms of anxiety, make you more productive, and help you feel connected to others.

Following are some ideas to get you started in creating a sense of writing community:

  • Thesis Writing Starter Kit: This resource provides tips on how to form a writing group or partnership.
  • The Centre for Academic Communication: Working with a tutor at the CAC can help you deal with writing challenges that you don’t necessarily want to bring to your supervisor. You can book a 50-minute session once a week (2 X 25 minute sessions, back to back), working with the same tutor for continuity or trying out different tutors.  Email cacmgr@uvic.ca to inquire about our face-to-face and online tutoring.
  • Every Friday from 10-1, the Centre for Academic Communication hosts a “writing room” for graduate students in Library 151B. It’s a quiet space where you can write alongside other graduate students.
  • Check out the twice-yearly Thesis Boot Camps for graduate students.
  • Blogging about your experience can help you feel less isolated on your journey and, according to Thomson and Kamler (2016), is an important part of performing your “scholarly identity” (see pp. 116-121). As a UVic student, you can use the Online Academic Community to start a free WordPress blog with technical support from the experts at Technology Integrated  Learning, UVic.  If you don’t want to start your own blog but would like to share your story, get in touch with me at cacpc@uvic.ca and we can talk about getting your story up on the Graduate Student Writers’ Community blog.
  • You may not relish the idea of connecting with a writing partner, writing group, or writing tutor. Have you considered reading academic blogs on topics relevant to you? Reading academic blogs can make you feel connected to the wider community of academic writers, graduate students, and researchers. A few recommended blogs follow; please let me know if you have a favourite one you’d like to add:

The Thesis Whisperer. From the blog: “The Thesis Whisperer is a blog newspaper dedicated to the topic of doing a thesis  and is edited by Dr Inger Mewburn, Director of research training at the Australian National University.” Mewburn and guest writers from across the world post about every possible topic related to writing a dissertation. Her approach is humanizing, playful, and encouraging.

Patter. From the blog: “Patter is Pat Thomson, Professor of Education in the School of Education, The University of Nottingham.” Thomson blogs often on scholarly writing, writing a dissertation, publishing, and writing or research problems and solutions. Her posts are organic—springing from what is happening in her busy life as an academic.

Explorations of Style| A blog about academic writing. From the blog: “Explorations of Style offers readers an ongoing discussion of the challenges of academic writing. The ability to formulate and clarify our thoughts is central to the academic enterprise; this blog discusses strategies to improve the process of expressing our research in writing.” Dr. Rachael Cayley, from the University of Toronto, covers many topics of interest to dissertation and other academic writers in a down-to-earth style. The blog appears to be inactive now, but there are some great classic posts about reverse outlining, paragraphing, and transitions.

Do you have a recommendation about how to “make writing social”? Send your ideas and resources to Madeline at cacpc@uvic.ca

This is adapted from a page written by Madeline Walker in the Dissertation Writers Resource on this blog; last updated November 22, 2018

 

 

 

 

Jacquie plays: The literature review as a journey up the mountain

By Jacqueline Allan and Madeline Walker

Jacqueline Allan, a masters’ student in kinesiology with a background in recreation, started visiting the Centre for Academic Communication early in her program. When Jacquie , who is studying adult play, shared her novel approach to the literature review with us recently, I just had to see if she was willing to let the community experience it as well.  Click onto the sound file to hear Jacquie’s journey up the mountain.

Earlier in the semester, Jacquie and I had a conversation about her life and her work.

Madeline: “Thank you for providing your literature review recording for us to enjoy. Can you tell me a little about why you wanted to study adult play for your master’s thesis?”

Jacquie : “I teach a lot of fitness classes, and I noticed that when I present something that’s playful, there are people who really resist that. They think, ‘I’m here to get a good hard workout, let’s just stay with what we know about exercising. Let’s not do anything playful.’ In fact, I’ve had people leave the class. So, I’m interested in what happens when we want to become playful. Or, why don’t we become playful?”

Madeline: “I love your question, ‘why are people resistant to play?’ I can relate as I used to be one of those people. Part of it was self-consciousness. What would people think? We’re not children anymore, I can’t look foolish. That was part of my resistance.”

Jacquie: “I think that’s a lot of it. People say I was a kid then, and I’ve left all that behind. Why is that? What are the forces acting on us as adults that don’t allow that? Is it still the work ethic thing, that if I am not working, I’m not seen as being productive? So it doesn’t have value? I am interested in that.”

Madeline: “When I first heard your lit review, you were on a hike, and there was birdsong in the background—you were embodying this spirit of play in your work, which I think is so wonderful.  I wanted to know what was the spark to give you this idea?  Was it, ‘I want to do a lit review and I want to record it, to make it a story?’”

Jacqueline made a wry face. “You just said I wanted to do a lit review; I HAD to do a lit review!” We both laughed about that.

Jacquie then described a childhood memory that informed her literature review journey: “I thought back to when I was a kid. I grew up on the North Shore of Vancouver, and we lived at the bottom of Grouse Mountain, and that was one of the things I did with my cousins, who lived in the same neighbourhood. We used to go down to the creek at the bottom of the mountain, and we would start going up the mountain, looking for Santa Claus. That was the culture we grew up in. It occurred to me that we didn’t really know where we were going. We knew that we were having fun, and this lit review is a journey for me into the unknown, into the wilderness.”

Madeline: “So that’s where you got the model for the journey up the mountain? “

Jacquie: “Yes. So I took all the people I was looking at in my research, and I could envisage them being at certain places along the way. One person that comes to mind is Brian Sutton-Smith [play theorist from New Zealand, 1924-2015]. I read his material for the literature review, and at one point I thought—wait a minute—I’ve met this person before! There was a prof who came to UBC and gave us a lecture for a convention or something, and I walked back with him and we were laughing and he looked like a surfer, and he had an accent. He reminded me of somebody who embodied playfulness! I could see him in the forest. He was with all the elves, just running around in this grove. So he takes a big part in this because he, for me, having met him, was playful even in his work. . . . And toward the end of the lit review, I came to the realization that I didn’t know anything!

I responded, “That means you’re very wise, Jacquie, when you know you don’t know anything!”

We chuckled about that nugget of truth voiced by Albert Einstein: “the more I learn, the more I realize how much I don’t know.”

Jacquie: “Brian Sutton-Smith said that play is ambiguous–even Aristotle and Plato said that. We don’t really know what it is. Play is a noun and a verb in our culture. In particular, what is play for adults? As adults, we tend to know when we are not at play. To me, that means we know what play is. If you know the shadow of it, then you know what it is. But at the same time realizing this is so huge and I thought I would get to this literature review, and this would be the basis of a thesis I wanted to do, and I would think, ‘great, I’ve done it.’ Oh my gosh, no, not even close!”

The Wisdom of Ravens

Reflecting on her feeling of not knowing, Jacquie starts to describe her experience with ravens.

“I have met ravens on Grouse Mountain. One day, I was up there at the chalet where you can sit and look over the city. A raven came down and sat right there looking at me. This was the raven I had in my head. Speaking of wise–they’re so very wise.  The raven looked at me:

‘You think you know what’s going on but you don’t have a clue! And furthermore this path is way longer and way more ancient than you ever thought.’

I know now that ravens in First Nations culture symbolize an awful lot, but one of the things is knowledge. I thought, well that’s interesting. The raven is holding all this knowledge, and it’s up to me to try to find out, but the raven had no intention of telling me any of the knowledge except to say, it will be revealed to you.  First, you need to put in the work. So I’m at the bottom of the Grouse Grind, not at the top, and I need to keep going. That was the message from the raven.”

Jacquie thought for a bit then added, “Ravens also symbolize the subtlety of the truth. Am I looking for the truth of play?  Will ever approach the truth? Or get close?”

Wondering with Jacquie, I offered the following thought: “Maybe there are multiple truths.”

Jacquie: “Good point. Ravens also symbolize the unknown. In fact, I wrestle with and have to get comfortable with and accept that I’ll never know the truth about play.”

I remembered what a favourite writer of mine said about the literature review. “Pat Thomson says that the literature review is about getting comfortable with ambiguity, with not knowing. You’ll never know it all. I love your attitude, of seeing it as a journey of revelation. Even if you only get a little bit of it, there’s still a sense of appreciation. Sometimes we get arrogant as academics, thinking we can capture all this information, but in fact it’s always changing and dynamic, and it’s impossible to know it all.”

Jacquie admitted that this was a surprise to her.

“Jacquie,” I said, “I know you are an accomplished jazz vocalist. Is that what you do for play?”

Jacquie: “It is playful, but within a massive structure. So knowing the structure is super important, and improvisation is all part of jazz. So that becomes the playful part but within this really tremendous structure. So for me personally, playfulness is an attitude. I have a strong feeling that all of creation is playful, and the fact that we as humans don’t get that is kind of our problem. And so I look for that, every single day, and I look for the people–you  recognize somebody who has a playful spirit. Most day to day situations can be turned into playful situations. But that makes going through it fun; why not have fun? We’re all in it together. To do what we do individually to the best of our abilities. Let’s just have fun together. It’s very social for me as well. I can be playful by myself, you know I like physical recreation, but being playful with other people is where it’s at.”

Madeline: “So playfulness is an attitude for you?”

Jacquie clarified: “It’s actually a behaviour trait. Most of the researchers would distinguish play as one thing, but playfulness is something different. One researcher, Gordon, says her feeling is that playfulness can be learned or re-learned as an adult, and that fascinates me. What are the conditions under which a person learns for the first time or relearns how to be playful in their life?”

Jacquie and I agreed this seemed hopeful—that adults can re-learn their playfulness.

Jacquie’s top three tips for writing a literature review

I asked Jacquie to share her top three tips for a student who says, “I have to do a lit review and I’m terrified! What should I do?”

Jacquie responded without missing a beat: “Seek help at the Centre for Academic Communication. Those people know what a literature review is, and they can give you information on how to approach it right from the very beginning. They can give you tons of resources. That was so important to me. It was vital to me, not having done one before.”

Madeline: “Thanks for the plug, Jacquie!”

Jacquie : “Second, be looking at a topic you absolutely love because it can be onerous, and reading research is a bit of a process, so just stay with your loved topic. The third one is to have fun with it because it is a journey. In Travels with Charley, John Steinbeck says ‘you don’t take a journey, the journey takes you.’ So recognize that right off the top.”

Jacquie  started to gather her things to go. Time had slipped by quickly because we had been playing. “Thank you for the opportunity and the assistance you’ve given me.”

Thank you, Jacquie , for sharing your journey through this interview and your recorded literature review. Many readers will feel inspired to welcome playfulness into their lives after they read this. I know you inspired me!

 


 

Photo of Jacquie by Malakai Design Photography

Photo of Raven: https://commons.wikimedia.org/wiki/File:Female_adult_raven.jpg

By Bombtime [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 3.0  (https://creativecommons.org/licenses/by-sa/3.0)], from Wikimedia Commons

 

Doubting my Ability to Complete my Master’s Program

By Barb Fouts-Melnychuk

This is my first official blog post and I am thrilled and nervous to write at the same time.  I have just finished my seventh course for my master’s program in Curriculum and Instruction focusing on Literacy.  At this point in this 13-month journey I fall asleep if I sit still for more than ten minutes.  Hilarious but true!  Being a literacy consultant, doing a master’s program and trying to balance a family simultaneously is tough.  What made the workload even tougher is having Attention Deficit Hyperactivity Disorder (ADHD) and a learning disability.  Translation:  I do not process directions, readings, people’s comments or class discussions in the patterns my classmates did.  My unique learning style translated to 25 very rewarding years teaching junior high, or as you say in BC, middle school, but the learning style has not made grad school easy.

I started a master’s program in July 2017 because as a consultant last year in Alberta, I supported 13 junior high schools and coached 100 teachers.  I was asked to come back month after month and every meeting there were more and more teachers in attendance.  Junior high teachers want to adopt practices that transform their student learning.  In my school district in Edmonton, there are 100,000 students, and approximately 263 schools.  Translation:  many teachers want to adopt their classroom practices to meet the varied needs they see hourly. My master’s program has given me the language and capacity to walk into every classroom or school, see the strengths of the staff, listen to their “what if we could . . .?” questions and find the scaffolds and strategies to support the inquisitive professionals. The master’s program also highlighted my learning disability and required me to ask for help.

I have always had difficulty writing for academic purposes because I could not understand the patterns I was to follow.  I saw connections between the theories and classroom practice. Twenty-five years of reading, studying, practicing and planning, which resulted in 55 to 60-hour work weeks, allowed me to find ways to motivate and engage my students. My whole career I was able to get results from students that were supposedly unattainable or from the students who don’t care. In my classroom I have LOVED making literacy theory practical for my students and my colleagues!   What my insane work schedule did not do was develop my writing skills for academia.

Then the Learning and Teaching Centre came on my radar after a professor this summer handed back a paper saying, “Barb you get the ideas and theories, but you need an editor to find the transitions and develop the coherence.”  The comment was said with kindness and in support, and I had already come to this realization during my last 12 months.  One of my supportive cohort members suggested the Centre for Academic Communication (CAC). I was spending HOURS trying to meet the academic standards and barely making it.

It is so humbling to ask for help once again in my academic studies.  New to me, NOT!  My grade 12 Chemistry teacher was so excited when I got a 67% on the provincial diploma exam.  He told me that mark meant more to him than so many of the students who got honors because of the hours of work he saw me put in that did not result in higher grades.  Yet now I was in a master’s program asking for help. Did that mean I did not actually have the stuff to be here?

At the CAC I asked for an editor and received a writing coach!  What a delightful surprise.  Someone who read aloud what I had written and allowed me to hear the lack of coherence and then that same someone asked me to clarify how the ideas related?  These were easy questions and I quickly rattled off the answer and then typed as if the keys were on fire and I had to quickly unload my ideas from my hands.  The words flowed from me because the gift of ADHD is that I learn the material to a level of specificity that most people don’t see.  My brain wants to understand the theory of literacy to the degree that I can disperse the theory into practical application for all the teachers I support.

I would leave an hour’s session at the CAC so excited and energized that many of my cohort group are planning on using the writing supports during the 2018-19 year as we complete our project.  My fellow grad students could not believe I revised 800 words in 45 minutes and took the quality of my writing to a much higher standard.  Not only was my writing more aligned with masters degree benchmarks but my confidence soared after each visit.  I started to realize I could write and that I was in grad school for valid reasons.  I want to help teachers so that I am really helping teenagers embrace the potential they have and encourage them to heal and bring hope to combat some of the ugliness in our world.

Who knew one hour could do so much?  Luckily, I did not, and I was so grateful to have been able to sign up for three hours in my last week.  My writing abilities can almost leap tall buildings in a single bound and it’s just in time.  This master’s project is going to take every writing skill I have and now I have more.

 

About Barb

Barb has taught junior high/middle school for 25 years and is now a literacy consultant with Edmonton Public Schools.  She has taught for many years, in all four disciplines, but landed in English Language Arts.  Her love of diverse learners has allowed Barb to teach the spectrum of learners who are gifted to learners identified with special needs.   Barb is part of the international Freedom Writer Teachers and is looking forward to the year when she finally figures out all there is to know about teaching. She can be reached at barb.melnychuk@epsb.ca

 

 

 

Learning to swim again

By Madeline Walker

With a wry smile, I look back on my first class as a graduate student. I registered for twentieth-century African American literature and eagerly signed up for the first seminar presentation.  The task was to comment on the third chapter from Paul Gilroy’s seminal 1993 book, The Black Atlantic, in which Gilroy presents his theory about a transatlantic Black culture that transcends diasporic differences.After a long spell away from university, I was jumping in head first. Little did I realize how deep the pool of knowledge was!

Although I knew a bit about the history of African America (slavery, the 13thamendment to the Constitution, Reconstruction, the Civil Rights era), I was completely unprepared for the kaleidoscope of concepts and ideas I needed to make sense of Gilroy’s jargon-laden writing. In every paragraph, I was confronted with dozens of new terms, for example, “post-structuralist,” “textuality,” and “metaphysics of presence.” What was the difference between “modernism” and “modernity”? What did Gilroy mean by “the politics of authenticity”? Who was W.E.B. DuBois and what was “double consciousness”?

My head was barely above water as I sputtered away. Worse, I had the haunting sense that the professor expected me to be familiar with the context and debates embedded in the book and the class, to breathe underwater. I wasn’t and I couldn’t.

The way I saw it, I had two choices. Quit now, or move forward. I had already quit grad school once in my twenties, and I didn’t want to disappoint myself again. So I chose to move forward. To avoid getting mired in feelings of inadequacy, I simply started where I was. I puzzled through the layers of ideas by making notes, asking questions, looking stuff up, and reading around the subject to build meaning from the chapter.  I relied on prior knowledge, basic reference books (dictionary of critical theory, encyclopedia of African American history), the introduction to Gilroy’s book, and book reviews of The Black Atlantic to help me find my feet at the shallow end of the pool.  Although my understanding of the chapter had big gaps, I was able to make a reasonable presentation and ask lots of questions as part of my talk.  Despite having to catch up my knowledge, I ended up enjoying the class, and a seed was planted. I was inspired to focus on African American literature for my entire graduate school journey.

If you are feeling out of your depth, take heart.  Things take time. I just had a chat with a student who was marvelling at how his capacity for reading academic writing has grown over the past three years. Material that he found obscure and dense at the beginning of his program, he now breezes through with high comprehension.  But building facility in his disciplinary discourse wasn’t accomplished quickly.  We don’t punish children for not learning how to swim quickly; rather, we put water wings on their arms and give them time to get comfortable in the shallow end. So don’t chide yourself for taking the time you need to learn to swim in the sea of knowledge. Things take time.

If you need support in academic communication, including reading to write, writing, presentations, academic integrity, or academic expectations, please see us at the Centre for Academic Communication (CAC).  We get it—we’ve been there.

You can drop by our offices in the McPherson Library at the end of the Learning Commons or make an appointment online:

https://uvic.mywconline.com



Madeline is the Coordinator for the CAC. She has a PhD in English (20C American Literature). She loves to write and to coach other writers.

 

 

 

 

 

 

 

 

New or old? How to expand our vocabulary by combining words we already know

By Kaveh Tagharobi

“My sentences are too simple.”

“I can’t write professionally.”

“I need to use more big words.”

Have you heard any of these complaints? Or rather, have you been making them yourself? If so, you are not alone. Many EAL (English as an Additional Language) and non-EAL students find themselves in situations where they feel their academic vocabulary is “just not enough.” Whether prompted by feedback received from instructors and peers or just driven by the desire to impress our readers, we always have this urge to use “different,” “more difficult,” or “more academic” words in our writing. English language is also inviting us to do so. According to the Oxford Dictionaries website, “there are, at the very least, a quarter of a million distinct English words,” and “if distinct senses were counted, the total would probably approach three quarters of a million.” This is more than almost any other language. These statistics alone put a huge pressure on student writers to expand their vocabulary and use a variety of words in their writing. But is this a reasonable expectation, and does using new words always lead to better academic writing?

Let’s consider the following sentence written by an EAL student:

“An illustration of this is the school system, which is one of the main sources of distributing cultural capital.”

At the Centre for Academic Communication, I often see sentences like this. At a first glance, such sentences can be confusing because of their word choice, but with a closer look, it becomes evident that the student has tried to replace a word with a synonym that does not quite work in this context. In the above sentence, the word “illustration” has replaced “example” to avoid repetition. Repetition is something many student writers are concerned about, and rightly so. Academic writing often puts us in situations where we have to repeat the same words over and over again. It is just natural that we prefer not to repeat the same words several times in a short chunk of writing. This reluctance is also enhanced by negative feedback most writers receive about repetition. Another reason words like “example” don’t always get much love is that they are thought to be “too simple.”  But is there anything inherently “simple” about the word “example”? It could be that it is shorter than a word like “illustration” and is not an obvious derivative with a formal-sounding suffix. But in reality, what probably makes “example” look simple is the fact that we know it too well; we use it too commonly for it to qualify as a “hard” word, which brings us full circle to the issues of repetition and variety in writing.

But whether these poor “simple” words get discarded for the accusations of simplicity or repetition, what is certain is that many of our students identify the need to have more options when writing. What many student writers and especially EAL writers overlook, however, is that not all synonyms can be used interchangeably. In fact, many synonyms that can be found in thesauri or through MS Word are just similar words that cannot simply replace the original word in the sentence. In such situations, I recommend my students to stick with the words they know rather than trying to add variety to their writing. Common words are common for a reason: they are good words! And repetition is not always bad; it can be a way to consolidate meaning and create consistency. This can be a safe option, but what if they want to improve their writing by using a variety of sentence structures? This is a legitimate need, and there must be a way for it.

This is when I suggest learning academic phrases and sentence structures instead of learning new words.

As counterintuitive as it may sound, learning new “difficult” words is not a priority in improving your academic writing. In my opinion, learning “old” and “simple” word combinations is much more important.

While the previous statistic from OED estimates English words to be at about 750 thousand, other statistics show that of all these words, only a very small percentage are used in everyday writing. The general consensus is that only about 3000 words cover 95% of common texts like newspapers, blogs, and most books[1]. That is only 0.4% of the number OED quotes as the total number of words in English. This means that in order to master the use of words in writing, learning new words like “contumacious”  and “gasconading” is not as important as learning how to combine more familiar words such as “for,” “boastful,” “respect,” “in,” “lack,” and “manner.” (see the end for a fun quiz!) Or to return to our example, finding synonyms like “specimen” and “exemplar” (words that are listed as synonyms for “example”) does not necessarily help us with finding alternatives. It is the use of old words like “true” and “case” that makes the difference between intermediate and advanced level writing. Using these words, our student writer could have written the following sentence as a variation of their sentence:

“This is certainly true in the case of schools which are one of the main sources of distributing cultural capital.”

But where do these combinations come from? How can student writers learn such academic phrases and add them to their repertoire of active vocabulary? We certainly cannot just make new collocations ourselves. Learning a language is one of the very few areas of knowledge in which being inventive is not always a recipe for success. Surprisingly, here, imitation and copying are more fruitful ways of learning and improving. We have to have encountered a certain arrangement of words to be able to reproduce it in our writing.

Therefore, my first suggestion to learn new collocations is to look for them in other people’s texts. Instead of going to vocabulary books or resources that introduce phrases and collocations, you can look for, notice, and try to learn such collocations while reading and listening. Academic articles, books, lectures, and more general texts like news articles, podcasts, and even daily conversations are great sources to find and learn new collocations, phrases, and sentence structures. This can make learning new collocations part of your daily routine without the need for setting aside dedicated time for it. You can form a habit to treat your daily reading and listening activities as learning opportunities to expand your vocabulary circle.

But to do this, first you need to develop an eye for finding useful collocations in written and spoken texts. In other words, you have to learn how to identify word combinations that might look ordinary at the first glance but are in fact specific arrangements of words that you would not normally use in your writing. To give you an example, look at this short excerpt from an academic article[2] on Digital Humanities:

“This essay traces some of the ways modernism and digital humanities have converged of late. It covers some of the key modes in which that convergence has so far found expression.”

They seem like a couple of normal-looking sentences with apparently no “difficult” or “fancy” words. However, with a closer look, you can notice that the authors have used the words “of” and “late” to mean “recently.” This is a very simple word combination; but despite its simplicity, it is an arrangement that an EAL writer would not necessarily know or use. Similarly, the words “found” and “expression”, two more seemingly “easy” words, have constituted a collocation that can replace words like “show,” “demonstrate,’ or “manifest,” all words that student writers overuse and would want to find synonyms for. With more attention, it becomes evident that the collocation “find expression” is used with the preposition “in” and is followed by a noun, but in this sentence, the preposition and the noun have moved before the verb. Therefore, the complete expression that we should extract from this sentence is “to find expression in something.” As you see, this requires attention and bit of experience, but with some practice, you can easily mine valuable collocations by just analyzing ordinary-looking sentences.

Finally, remember that the type and usage of the collocations you find will vary based on the sources where you find them. What you will find in a magazine article or a podcast can be fairly informal and suitable for daily situations. In the same way, if you review academic texts, like journal articles and books, you are more likely to find collocations that are useful for your academic writing.

So far, we discussed the ways to identify new collocations in others’ texts. In a next blog post, I will talk about developing a system to record, practice, and finally master the newly-learned collocations.

And now is the time for this post’s quick quiz. What sentences would you make with the “simple” words “for,” “boastful,” “respect,” “in,” “lack,” and “manner” I proposed to use instead of “contumacious” and “gasconading”?  Comment on this post if you want to play!

 

[1] Fry, E. B., 1925, & Kress, J. E. (2006). The reading teacher’s book of lists (5th, 1st ed.). San Francisco, CA: Jossey-Bass.

[2] Ross, S., & Sayers, J. (2014). Modernism meets digital humanities. Literature Compass, 11(9), 625-633. doi:10.1111/lic3.12174

Credit for  photo of books: https://commons.wikimedia.org/wiki/User:Alborzagros#/media/File:English-English_and_English-Persian_dictionaries.JPG

About Kaveh

Kaveh is an EAL Specialist at the CAC.

Kaveh Tagharobi has two MA degrees in English, the second  one completed at UVic in 2017 with a concentration in Cultural, Social, and Political Thought (CSPT). Before starting to work at the CAC in 2013, he was an ESL/EFL instructor for 10 years in Iran, teaching a variety of topics to high school, undergraduate, and graduate students.  At the CAC,  Kaveh works with both international and domestic students,  helping them to plan their research, organize their writing, edit for grammar, and improve their reading and critical thinking skills.


 

Online Grammar Checkers: Friend or Foe?

By Gillian Saunders

Gillian and Buster

Grammar not your strong suit? You’re not the only one. At the Centre for Academic Communication, almost half of those who use the centre identify “writing grammatically correct sentences” and editing their own work as a challenge, and some variation of “grammar help” or “grammar checking” is one of the most common requests our tutors receive.

With the rapid expansion of technology available, I wanted to know if there was a tool that could help writers identify their errors and fix them. I knew already, from over 10 years of teaching English as an additional language, that translation programs and other tools have come a long way, and I set out to find something that might at least act as a complement to the instruction and feedback that a tutor or instructor can provide. It’s not usually possible for a human to read and give feedback on an entire thesis, and the limit for tutoring at the CAC is 50 minutes per week. Might there be a miracle product out there that could alert writers to at least some of their most common mistakes, so that tutors and professors can focus on higher order concerns and content, instead of nit-picking at punctuation and missing plural “s” issues? I submitted a proposal about online grammar checkers for the Vancouver Island BCTEAL conference, and began my research. What follows is based on my conference presentation from February 2018.

First, I made a list of the most widely referenced grammar and writing checkers available, and eliminated any that weren’t free or suited to academic writing. My final list included Ginger (http://www.gingersoftware.com/grammarcheck), Scribens (https://www.scribens.com/), Virtual Writing Tutor (https://virtualwritingtutor.com/), PaperRater (https://www.paperrater.com/), and, of course, Grammarly (https://www.grammarly.com/). I also tested the advanced functions of Microsoft Word. In order to get an idea of the types of writing that might benefit from use of these tools, I tested them using two writing samples: one was a former student’s TOEFL writing test (good overall, with some grammatical issues), and one was my own proposal for the BCTEAL conference (graduate-level writing, I hope!).

Did I find what I was looking for? Well, yes and no. I did find a few useful features that I hadn’t previously known about, but I didn’t find anything that would accurately flag or correct a lot of the types of errors in grammar and punctuation that many writers tend to make. In high-level writing, too, the tools tended to introduce more new errors than they caught existing ones, which is a problem I had anticipated.

Among the most useful findings was Virtual Writing Tutor’s “Check Vocabulary” feature, which identifies and lists words that make your paper seem “academic” or “conversational.” This might be a good option if you’re struggling with finding an academic tone or your writing is too informal. The “Check Grammar” tool also caught a number of errors in the EAL student writing sample and suggested mostly accurate revisions, but could not distinguish between the word “style” as a verb and as a noun in my writing and offered a revision that would have been incorrect. I had high hopes for this tool’s “Paraphrase Checker,” but it was completely useless: two 100% identical sentences were only identified as being 68% the same.

Paper Rater also revealed a few interesting features: It can be adjusted for the type of writing you’re doing and for grade level, and gives a “grade” and some feedback. Although I wouldn’t recommend relying on this as an indicator of the grade a professor would assign, Paper Rater gave my writing 95% and my student’s writing 75%, and I thought these grades were more or less appropriate. Ignore the letter grades though! They don’t seem to correspond to any grading scale I’m familiar with. Paper Rater is also great for assessing the variety in your sentence beginnings, telling you if your vocabulary is “academic,” and reporting on use of the passive voice. Overall, I can see this tool being useful for high-level writers who want to get a sense of the general quality and patterns of their work.

As for the others, Ginger was pretty useless and introduced errors that weren’t there to begin with. It doesn’t do much if you don’t pay to upgrade it, and based on what I saw with the free version I wouldn’t recommend doing that. Scribens was able to do a few basic tasks, such as identify long sentences, but did the most ridiculous things with vocabulary suggestions. Should I change “communicate with different people and use modern technology” to “communicate with peculiar people and exploit modern technology”? These were options suggested, and I think this feature would be potentially catastrophic to writers without an unwaveringly confident grasp of English vocabulary and usage.

Grammarly is also available in a free and paid version. I used the free one and installed it in Word, and relied on Grammarist’s (http://grammarist.com/articles/grammarly-review/) review of the paid version as a comparison. Although Grammarly is probably the best-known and most widely used grammar checker available, both Grammarist and I found it limited for a number of reasons. Grammarly’s rigorous testing revealed a 72% accuracy with 43 items of grammar and style. It scored very highly for style, but not grammar, and I also found that it introduced errors and could not assess words that functioned as two different parts of speech, like “style.” Its plagiarism checker was also useless: although it knew that two identical pieces were identical, it gave the same paragraph a thumbs-up when just a few words were changed.

Grammarly’s assessment of EAL student writing (when installed in Microsoft Word), with examples of incorrect suggestions for revision.

And finally, although I love Word’s ability to check (very accurately) for passive voice and long sentences, and to assess readability, it isn’t good for many grammatical issues. The advanced checking tools can be activated in “Proofing” options. Word’s default is usually to check only “grammar” and not “grammar and style,” which is easy to fix.

In the end, then, while I did find some options that I might recommend to students with specific issues (e.g., sentences beginning with “It is…”, non-academic tone, or overuse of passive voice), for many writers I think better options include peer review or a visit to the CAC for an assessment of most frequent errors. Once you know what you’re looking for, “Find and Replace” can work miracles! For writers who wish to improve their grammatical accuracy, some of these tools might be a good place to start, but be careful not to get overwhelmed. If you can, focus on just one or two types of errors at a time, and remember that good writing skills take time to cultivate and lots of dedicated practice and feedback.


Gillian is an English as an Additional Language Specialist at UVic and a PhD student in Education. Her background is in English literature, and she has been teaching English, first in South Korea and now in Canada, for over ten years.

Just do it: Enter our contest now!

photo of student writing near a windowGraduate  students:  Tell your writing story

For a chance to win a prize, enter our blog post contest about how the University of Victoria’s extraordinary environment matters to your writing.

Describe where you love to write, take a picture of yourself in that location, and share with us how the amazing environment at the University of Victoria and its environs inspire your writing.

Or, describe who helps you write: a writing group, counsellor, tutor, librarian, instructor, supervisor, or friend? Tell us how this relationship matters to you and your writing and include a photo of yourself and whoever makes UVic an extraordinary environment for you and your writing.

Submit your entries (blog post plus photo) to cdrcac@uvic.ca by 11:59 p.m., February 28, 2018 for a chance to win one of three prizes:

  • First prize: $100 gift certificate at UVic Bookstore
  • Second and third prizes: $50 gift certificates at UVic Bookstore

Winning entries will be published on the Graduate Student Writers’ Community blog.

Please read the Contest RULES

 

 

 

 

“I’m not a very good writer, but I’m an excellent rewriter”: Revising and editing with intention

By Madeline Walker and Nancy Ami

The quotation in our title from popular writer James Michener stresses the importance of revising and editing your own writing. Indeed, knowing how to revise and edit is just as important as being able to generate a first draft.  Here we describe two ways you can revise and edit your work with intention.

Using readability statistics to plan revisions, by Madeline

A simple, free tool can help you analyze your own writing with an eye to revision.  Microsoft Word is the most popular word processing software available, yet few people know about the Readability Statistics feature. This feature analyzes your writing and provides counts, averages, the percentage of sentences in passive voice, and two readability measures. You can use this information to plan improvements to your writing. For example, the average academic sentence contains 23 words (in Business it’s 15-20), but what if you see from the statistics that your average sentence is 35 words?  Now is the time to read Nancy’s contribution below and edit for concision. What if you see that 50% of your sentences are in the passive voice, but your discipline prefers active voice? You can revise accordingly. The two readability measures show the grade level of writing (Flesch-Kincaid Grade Level Test) and the level of difficulty (Flesch Reading Ease Test) with 100% the easiest to read and 0-29 confusing prose.  You can use this measure to revise with an eye to clarity and accessibility.

  • To get started right away in Word for PC, go to file/ options/ proofing. Under “When correcting spelling and grammar in Word,” select the “Check grammar with spelling check box” and select “Show readability statistics.”  After writing your document, go to review/ spelling and grammar, and when the check is complete, a text box will appear on your screen on top of your document.
  • In Word for Mac, go to Word/ preferences/ spelling and grammar and check “Show readability statistics.”  After finishing your document, go to review/ spelling and grammar, and when the check is complete, a text box will appear on your screen on top of your document.

Just for fun, here are the statistics for part one of this blog post. Click here to learn more about Readability Statistics and how to interpret them. Then you can revise and edit with intention.

Concision, by Nancy

After noting my essays overflowed with phrases like “future plans for one’s life ahead” and “the discussion of the characters in the novel that was assigned,” my undergraduate communication professor suggested I read The Elements of Style.  I bought it and read it. I understood why my course instructor made notes like “awk” and “redundant” and “?” in my essay margins. I learned how I could write differently. Concisely.

Over the years, since putting aside The Elements of Style, I’ve noticed that my writing has returned to its former state. Puffy.  Expansive. Obscure. What happened to concision?

Desperate to review tips I learned more than thirty years ago, I thumbed through my yellow-paged $2.95-ticketed third edition and found scribbled asterisks next to principles like 14: “Put statements in positive form” and 17: “Omit needless words”. Would the advice I followed in my undergraduate degree help me thin my padded writing now?

I applied Strunk and White’s principles to my sentence scrawls:

  • Avoid “not”

In spite of the fact that writing is difficult for some, it is not difficult for others.

In spite of the fact that While writing is difficult for some, it is not difficult easy for others.

I replaced “not difficult” with “easy” and saved a word!

  • Trim the fat

Perfectionists are people who struggle with writing.

Perfectionists are people who struggle with writing.

I eliminated “are people who” and saved three words!

My colleague writes in an effective manner.

My colleague writes in an effective manner effectively.

I used an adverb to replace a phrase and saved four words!

Writing is an activity that is difficult for some.

Writing is an activity that is difficult for some.

I excised “an activity that is” and saved four words!

I need to call your attention to the fact that writing is difficult.

I need to call your attention to the fact that Writing is difficult!

I replaced the idea of “need” with a “!” and saved 10 words!

  • Replace clauses with phrases and phrases with words

Writing that is done by scholars can be complex and incomprehensible.

Writing that is done by scholars can be complex and incomprehensible.

Scholarly writing that is done by scholars can be complex and incomprehensible.

Complex scholarly writing  that is done by scholars can be complex and in comprehensible.

I reduced a negative eleven-word sentence to a positive simple statement of six words!

Comprehensible writing results from applying only two of the simplest of Strunk and White’s twenty writing principles. True in 1985. True today. Check it out!

In addition to employing these techniques, remember that you are always welcome to work with a tutor at the Centre for Academic Communication to improve your revision and editing skills.

Nancy Ami (R) is the Manager and Madeline Walker (L) is the Coordinator of the Centre for Academic Communication. That’s Nancy’s dog-eared copy of The Elements of Style, 3rd edition. The fourth edition is available in the Reference section of our library: PE1408 S772 2000

 

3300 Miles, Two Toddlers, and a Dissertation

By Tanya Manning-Lewis

Tanya Manning-Lewis

Writing is a journey. It is an emotional, physical, and psychological journey graduate students have to be willing to take to get to that state of academic fulfillment. For many of us, it is one of the most difficult journeys to take, and we rarely experience true contentment with the final product, but still we press on. My life, like writing, is a journey, and a constant reference point of why I should write. After travelling thousands of miles with two toddlers to do my PhD, it is a journey I am now fully committed to whether I am ready or not! Writing my dissertation in a timely manner is the journey I must take that justifies uprooting my family to pursue a degree. I am among the myriad students who experience this crippling fear of giving up everything to move to another province or country to pursue higher education. But this blog post does not dwell on the challenges, rather on how to overcome these and move beyond the typical excuses of “why I can’t write” to actually writing. It looks at how we can carve out spaces in our very busy lives to meet the demands of writing as a graduate student and ultimately accomplish our goals.

On my journey as a writer, PhD candidate, tutor, and instructor, I have learned a few lessons, albeit not necessarily from academic scholars, that have supported my writing.

The first lesson I have learned is that we all need a supportive community of writers. We need colleagues who are experiencing similar challenges and successes to support us. I have two supportive communities for my writing. First, I meet monthly with a group of international students to share our graduate experiences including writing. Many of us within the group struggle to balance family and writing demands for projects, conferences, and journals. In these sessions, we share tips, sources, and strategies that are useful in helping us to achieve our writing targets for the month. The Centre for Academic Communication (CAC) is one resource we continually refer to as a strong support for our writing. This group is most useful in encouraging me to stay on track and reminds me I am not alone–which is key to graduate work that can be so isolating.

Another supportive writing community is the “Shut up and Write” sessions co-created by Linda Edworthy and myself. This is a concept originating from the San Francisco Bay area in which graduate students are encouraged to meet for two hours each week to simply write. Five minutes are allotted after each 25-minute writing session to engage your fellow writers in discussion. These intense writing sessions have been incredibly useful in getting me to really zone in on my research topic, build on original ideas, and synthesize content.

The second lesson that I have learned is to be fearless with your writing. Take risks–it will strengthen you as a writer. Surprisingly this revelation came from my older son whom I watch adapt to a new way of life in a different country with such zest and openness. While he struggled a bit with contextual differences and communicating, it never stopped him. He wakes up each day just as enthusiastic as the day before to learn and try new things, and soon I see him blossom into this confident, sociable, and thriving student.  At this point, I think to myself, why not approach my writing with the same level of enthusiasm and fearlessness? So what if I fail at it sometimes? So what if I write an entire draft and someone says, “I don’t get it”? What does this mean for me? It means it is not a critique of me as a person, but my writing. It means I will have to be open to criticism and suggestions if I truly intend to grow as a writer. I will face rejection from journals and other institutions, but it is no excuse not to write. It is by writing that I will hone my skills. The moral of this, we should not burden ourselves with the thought of being perfect writers at all times. If you have a story or point of view to share, go ahead and share it. Your work is important, and your writing is your avenue to do that. Feeding into your fear will not only deprive you of the benefits of sharing your work, but your colleagues who would have profited from your insights. Many of my colleagues in my home country thought I was a bit crazy to move my family over 3000 miles to pursue a PhD. It may have been a crazy thought, but if there is one thing I have learned from this journey, it is you have to be willing to take risks. It was quite risky asking my husband to give up his flourishing career for five years to support my educational pursuits and most certainly risky moving with my two young sons not knowing how they will adjust to life in another country. But what is a journey without some risks? The same principle applies to writing; we have to take risks sometimes, put our writing out there for others to see what we are doing and not let our fears of the unknown cripple us. Often, we are so petrified at the thought of sharing our writing with others, we fail even to begin the process.

Writing this blog is certainly one way I am conquering my fear of sharing my writing. Here I am sharing my failures and triumphs with my own writing. I am hoping this will encourage you to break free from your own writing shackles.

Finally, I would say one of the most important lessons I have learned is to avoid the trap of complacency. While it has been difficult balancing family, school, and work, I have learned and am still learning that it is important to set aside time to write daily and commit to it. I have never missed one of the writing meetings with any of the groups. This commitment allows me to get some writing done, which is critical to my growth as a graduate student. I have also learned to be intentional about my writing and set goals so I am motivated to do so and not become complacent. I realize that the optimum time for me to write is at 10 pm when everyone is in bed. Hence, my goal each night is to commit at least 2 hours of writing to either my research or any publication I may be working on. Having these set targets force me to get the writing done, even when I would rather sleep. My constant reminder is that my journey is not mine alone, but that of my family as well.

Whatever your journey may be, you have to carve your own path to academic writing success. It does take work, but as is proven by many before us, it is achievable. While these are some of the strategies I use, there is a multiplicity of support systems for graduate students’ writing. It is important to find what works for you and commit yourself to doing it.

About Tanya

I am from the beautiful and welcoming island, Jamaica. I attained both my Bachelor in Education (Language & Literature) and Masters in Education (Language & Literacy) at the University of the West Indies, Jamaica. I have been a teacher of English and Literature for 14 years and  Lecturer for over 6 years. I am currently a PhD student in the Faculty of Education, Department of Curriculum and Instruction with special interests in language and literacy. My research focuses on four Jamaican adolescent boys’ (from low income families) almost exclusive use of Jamaican Creole (JC) and the impact on their academic success in a selected school in Jamaica, a country that only recognizes English as its official language in spite of the fact that 92% of the population experience great difficulty speaking it and the same percentage are fluent JC speakers.

Tanya tutors at the Centre for Academic Communication