DAY 1 | |
OPENER | FRIDAY, MAY 10th (9:00AM-9:45AM) |
Justin Brooks | |
Chair | Olivia Brodowski |
PANEL 1 | FRIDAY, MAY 10th (10:00AM-11:00AM) | Theme: Environmental Concerns: Water and Ecological Disaster |
Jeremy Audet (he/him) : Re-Imagining Sustainability Through Water-Centrism in Canadian Diasporic Poetry | |
Luiz Henrique Reggi Pecora : Conflict and Tension in the Outskirts of Capitalism: Illegal Gold Mining and the Yanomami Struggle for the Protection of the Land-forest | |
Sarah Sharp (she/her) : Portrait of a Young Artist, a Pothos: A Proposal to Investigate “Photogenesis” | |
Question Period | 20 minutes |
Chair | Jindi Huang |
PANEL 2 | FRIDAY, MAY 10th (11:15AM-12:15PM) | Theme: Social Discrimination and Compliance: Inquiries of Colonial Normativity |
Stephanie Erickson (she/her) & Kara Hagedorn (they/them) : Reproducing Barbie: A Critical Reading of Feminism in Greta Gerwig’s Barbie (2023) | |
Kyle Cook (he/him) : Bringing Our Relatives Home: Rematriation in an Age of Reconciliation | |
Caitlin O’Keffe : Photography, Violence and the Politics of Desire | |
Question Period | 20 minutes |
CATERED LUNCH | 12:30PM-1:30PM |
Chair | Emilia Koehn |
PANEL 3 | FRIDAY, MAY 10th (1:30PM-2:30PM) | Theme: Social Justice and Equity: Structural Violence and Community Care |
Kenzie Rattray (she/they) : Resource Illusions: Cultural Paranoia as a Catalyst for Social Instability and Political Change | |
Jessie Gomburg (she/her) : Let the Right Ones In: The Good Character Requirement of the Law Society of Ontario and Creation of the Regulatory Offender | |
Elif Cansu Gumuspala (they/them) : Opacity Behind the Windows: The Role of Bar Culture in Queer Liberation | |
Question Period | 20 minutes |
FRIDAY NIGHT SOCIAL | Details TBD |
DAY 2 | |
Chair | Bethany Scholfield |
PANEL 4 | SATURDAY, MAY 11th (9:30AM-10:30AM) | Theme: Inquiries of Visibility: Creative and Aesthetic Emancipation |
Joel Wheeler : Playlist Novels and Their Possibilities: Playlistening Through Vernon Subutex | |
Spencer Robinson (he/him) : Transidentity in French Children’s Books: the Fluidity of Identity in a Normative World | |
Frances Wear (they/them) : Heretical Dreams: Emancipatory Art Beyond Sublime Climate Catastrophe | |
Question Period | 20 minutes |
Chair | Olivia Brodowski |
KEYNOTE & CATERED LUNCH | SATURDAY, MAY 11th (11:00AM-12:30PM) |
Kit Dobson (he/him) & Naava Smolash (she/her) : What Does It Mean to Be an Embodied Academic? | |
Question Period | 30 minutes |
Chair | Stephanie Erickson |
PANEL 5 | SATURDAY, MAY 11th (1:00PM-2:00PM) | Theme: Environmental Ethics and Spirituality: Building Resilience and Eco-Spirituality |
Meghan Richey (she/her) : Building Resilience in the Ecological Crisis: An Exploratory Study of the Role of Ecospirituality for Members of Generation Z | |
Avia Amon (they/them) : Exposing the Limitations of Reconciliation: Protester Memory Discourses in Post-Dictatorship Chile | |
Elliot Ugalde (he/him) : Recognition, Refusal, and Pluriversalism(s): Mapping a Theoretical Cartography of Anti-Colonialism Across Turtle Island and Abya Yala | |
Question Period | 20 minutes |
CONCLUDING CEREMONY | 2:20PM-3:00PM |
Key-Note Speakers
CALL FOR PAPERS DEADLINE EXTENSION: February 11, 2024 (23:59 PST)
Submit your abstracts here: https://forms.gle/j7SnXfv1VFNg7YU99
Call for Papers
The definitions of the words “tension” and “friction” are fundamentally rooted in opposition. Opposing forces within ourselves, our groups and communities, our nations, our world. Their meanings resonate in the back-and-forth motion of debate, of the positive energy produced in action, and in the fragile boundary of limitation. We encourage participants to test these boundaries and explore the interplay of social, cultural, and political forces present in the here and now.
The Cultural, Social & Political Thought (CSPT) program at the University of Victoria, British Columbia, is pleased to announce that our annual graduate student conference will be held on May 10-11, 2024. We would like to acknowledge that our conference will take place on the traditional territories of the Songhees, Esquimalt, and W̱SÁNEĆ peoples, whose relationships to the land continue to this day. This year’s conference will take on a hybrid format, accommodating both in-person and online presentations.
Potential themes and topics may include (but are not limited to):
- Decolonizing ontology
- Feminist and matrifocal perspectives
- Holistic stewardship
- Intersectional pedagogy
- Transformative politics
- Epistemological ruptures
- Cultural collisions
- Fluidity of spaces
- Embodied knowledge
- Unsettling narratives
- Multivocality
- Biocultural diversity conservation
We invite submissions from both the Humanities and Social Sciences, including but not limited to Indigenous studies, philosophy, theory, geography, anthropology, sociology, french and francophone studies, gender studies, cultural studies, literary studies, and history, in addition to visual artists who work within these topics. In an interest to support senior undergrad students, exceptional undergraduate work is also welcom to support students on their way into higher academia.
In light of our theme, we seek to assemble a diverse group of scholars, artists, and activists, in order to foster interdisciplinary discussions through artworks and presentations that are approximately 15 to 18 minutes in length.
Artists can indicate if they also want to give a 15 to 18 minutes talk on their work, though this is not mandatory for participation.
Submit your abstracts here: https://forms.gle/RZZPDEWSxT4Bx68B9
Submission Guidelines:
If you are interested in presenting at the 2024 CSPT Graduate Student Conference, please email the following information to csptgradcon@gmail.com by January 14, 2024 at 23:59 PST:
● Your name, contact information, and affiliation (if any);
● An abstract of 250 words (maximum);
● A short biography of 50 words (maximum);
● A list of five relevant keywords to your abstract;
● Any technical requirements, including space, or other support your require while at the conference;
● Dietary requirements and food allergies.
Artist’s Submissions:
● The above criteria for the abstract, biography, and keywords;
● Indicate in your abstract if you would also like to be considered for a 15 to 18
minute “artist’s talk”;
● Indicate any space requirements for display (e.g., power supply, size, plinths or
tables, etc.).
If you have any questions, please reach out to the organising committee at: csptgradcon@gmail.com.