Monthly Archives: March 2014

Godzilla vs. The Millitary-Industrial Complex

With a new Godzilla film set to hit theatres in two months’ time, I thought I’d take this opportunity to revisit Ishiro Honda’s original version that first captured my imagination as a child. The ensuing sequels and spinoffs have garnered the franchise a reputation for silliness, but the 1954 progenitor, far from being a trashy monster flick, offers a sobering meditation on what ethical considerations should guide scientific practices.

When I decided to re-watch the original Godzilla, I discovered that the film I had seen countless times previously was an American version. Perhaps this is why it somehow never occurred to me until recently that the titular monster was created as a stand-in for the atomic bombs that devastated Japan just nine years prior to the film’s release. However, as I watched the film, it struck me as inadequate to paint the story as purely allegorical. Godzilla is not merely a proxy for nuclear weapons; he is a product of their use. Furthermore, a major plot point involves a young scientist agonizing over whether or not to unveil his secret “Oxygen Destroyer” capable of defeating Godzilla. He fears that if revealed in its current weaponized form, his device will soon be used for ill, but knows that the future of his country (and perhaps the world) depends on its deployment. Forcing the audience to confront the impact of nuclear weapons, something we know to be real, and having them coexist with fictional destructive forces like Godzilla and the Oxygen Destroyer serves as a warning that nuclear weapons are not the first, nor likely the last agents of mass destruction to be visited upon humankind by its own hand. This unflinching perspective is what makes Godzilla so powerful. Rather than limiting itself to a critique of a specific historical event, it becomes a broader commentary on the military-industrial complex and how the technology we develop in the name of progress can upset the “natural order” of things and produce unintended consequences.

Honda’s Godzilla was a serious piece of cultural analysis, and judging by the harrowing trailer, the updated version aspires to do the same. I’m eager to see if it will have anything new to say, sixty years later.

How do we power the future?

What makes us human?

This is one of the fundamental questions Science fiction has asked and explored since it’s inception. From Mary Shelly’s Frankenstein to the far flung post-singularity future of  Iain M. Banks’ culture novels our humanity is at the core of these stories. In some cases that exploration of humanity is not apparent until the end of the story. Such is the case in Duncan Jones first movie Moon.

Moon is the story of Sam Bell, played by Sam Rockwell, the lone operator of a mining facility on the moon. He is on a three year contract to be the caretaker of the facility along with an A.I. named GERTY voiced by Kevin Spacey. The product he is mining is Helium-3, an energy source that revolutionizes clean energy back on earth. As he nears the end of his three year contract a series of accidents start to reveal the truth of Sam’s situation on the moon. There is an accident and Sam wakes up in the infirmary. After healing Sam heads out to fix a broken harvester and finds a body. The body is his.

Sam slowly puts together that the company he works for has decided it is more cost effective to create a clone to continuously take care of the facility than it is to replace the caretaker every few years.

Is a life less valuable when it is a tool?

While Moon is not directly about how technology mediates or is mediated by society it explores mans relationship to technology from another vantage point; what will we do to maintain the advanced technology we have? Is even a single life too much to pay for safe and abundant energy source?

Cloning technology is nowhere near the capability to do what it does in Moon but the ethical questions surrounding human cloning are explored in a unique, intelligent, and thought provoking script. Jones does not make any judgements but he does present a situation that is not overly outlandish.

One of my favourite mysteries of Moon is that the plot is one that may or may not have happened before or could happen again. Does the world know or care what is enabling the energy needed to power their devices?

Her

I watched the sci-fi movie titled “Her”. Not only was this movie very eye-opening but it also made me a bit excited for the future, if it is anything like in the movie.

The vision of the future that it presented was heavily involved with technology. And as many people are very vocal about being against how involved in technology as a society now, I am totally not against technology becoming more involved in our daily lives. It was evident from watching the movie that technology that is a theme in the technology of today, that it is convenient. The future that is portrayed in this film makes it seem like the technology used makes everyone’s lives easier and therefore becomes convenient. In terms of the job the main character had, that job would have been a significant amount more difficult if he had to hand-write the letters. But with the speech to text technology it made everyone’s job easier.

However, there was a negative that was portrayed in the film about the future. And that is that we become less social animals because of technology. Even though the technologies provided gave the characters in the movie a way to communicate, it also decreased their social interactions with human beings.

It made me think differently about the present society because I can see how involving more technology into our daily lives can turn into something completely negative. But on the other hand I can see how it is portrayed in the movie, how everyone gets along just fine with the amount of technology in their lives and it even makes their lives easier.

Movie #26: Minority Report

Blog #3

Sonya beat me to this film, but I want to take a slightly different spin on how Minority Report works tech and society.  Instead of looking at a world without crime, I want to look a world without interface.

For those of you that haven’t seen the film, Minority Report‘s most recognizable scenes involve eyes and hands: your eyes (inadvertently) control advertising billboards and can be used like a debit card and your hands can control your fancy new computer as if you’re conducting an orchestra.  This is amazing technological imagination…for 2002.

There are some issues with the tech the film showcases.  For one, I don’t think the world would ever like to be controlled by our eyes.  We’d love something (like Google Glass) that we could control WITH our eyes, but having companies base ads on our retinas would never fly.  We’re close enough with tailored Facebook ads (based, in a way, on what our eyes see) and that already causes some problems.  For Tom Cruise, the problems of being tracked through his own eyes are worth replacing them.  With the help of a homeless guy.  With eyes he found in the rankest fridge ever…

Ok, so the eyes might be a bit far-fetched and probably (hopefully) won’t be a viable reality anytime soon, but the computer interface could happen today.  People have already created wavy-handy interfaces.  They guy who brought the idea to Spielberg brought an actual working model, and he later went on to design the Kinect XBox 360 platform.  The idea has been used in countless movies before and since, but I think Minority Report shows the most realistic version of this impractical technology because Cruise has to wear gloves.  While the Kinect uses cameras and our own class’ guest speakers have used cameras for creating interactive art installations, wired tech is still the most reliable.  So Tommy puts on his gloves and starts waving, avoiding any spatial or visual issues they still seem to be having in 2054…

It’s like Star Wars Force control meets steam punk, future that has collided with a world’s imagination that still can’t imagine things without touch…even though it is an interface without touch.  While the film has amazing futuristic cars, jetpacks and even mind reading thingies that can stop crimes before they happen (how cool and future is that?!) they still need gloves.  Maybe 2002 was a pessimistic year, but they just couldn’t go gloveless.

Now, how this movie didn’t crack the top 20 of the Top 100 Sci-Fi movies list David posted astounds me.  I definitely thought this was better than Star Wars V (everyone knows A New Hope is better than Empire!), but the awesome yet impractical technology is probably keeping it where it is because the script doesn’t help.

Apparently Tom Cruise had a lot of trouble acting with that computer.  The movements made him so tired (yes, that’s real sweat) that he needed to take breaks from filming every five minutes.  Reminds me of GMail Motion

Now while someone fixes the coding issues on this site, excuse me while I go watch Serenity and weep.

Blog #3: Minority Report’s world without crime

So for this third blog I decided to watch a movie called Minority Report, starring Tom Cruise, because let’s face it, anything starring Tom is going to be a little out there. The movie is a science-fiction thriller that was released in 2002 and directed by Steven Spielberg.

The movie is set quite far in the future, in 2045, against a backdrop of futuristic buildings lining the skyline mixed with those of the past. What is interesting is that the concept of the movie is the notion of “Pre-crime” , a term used in the movie, essentially meaning preventing a crime before it is committed. They use these “pre-cogs”, people in pods who are considered never to be wrong, to generate the names of potential violent offenders.  I do not want to spoil the entire plot of the movie, because I think this is a movie that everyone should take the time out and watch.

It is extremely interesting  to think about where society and technology are moving in the law enforcement field, in my opinion. If it were possible to prevent murders before they occur, this would create ripples in the crime world. Think of all the lives that could be saved. I believe society would function without a sense of fear or an increased sense of safety. These days especially where guns and other weapons are quite readily available to those who seek them, and society lives in fear of crime and violence.

This movie is definitely eye-opening and asks the question, what if there was no more murder? For this I wonder, would we be safer?  Or would there be some other technology developed to get around this?

Her: An emotional story of Life, relationships, & technology

Too me, Her made me reflect deeply on my own relationships as well as my relationship to technology. The world Jonze creates on film is one that is aesthetically very pleasing, but has an eerily somber mood to it. While the movie is set in a technologically advanced world, it is more about humanity. However, it does give us some insight into the reprocucions of the heavy interaction we have with technology. The movie doesn’t depict humans as having their faces buried in screens 24/7 as one may think, in fact, they may spend less time in front of screens than people currently. The world they show  sees technologies increased with interpersonal use, but seemingly not too much in its other uses. Theo’s phone has more of an accessory, feel to it (like a watch or necklace, although it’s not really a fashion choice) rather than something that is constantly being used like an iphone. This discrete feel is in contrast to much of the technology we use today that is quite apparent in its use.

Theo’s relationship with his OS happens so effortlessly in a way that kind of mirrors how all the technology works in the movie. The OS technology also gives a very deep personal feel to its users. This could be seen as a cautionary reminder as to how we use and interact with technology today. Theo seemingly thinks that his relationship & love with his OS is unique and special, but by the end he learns that she has relationships with thousands of other users and is “in love” with hundreds more. Theo is obviously crushed by this and it is very emotional and sad. Human relationship with technology is a popular topic of interest for many. This movie deals with this narrative and explores some of the pitfalls of it as well as some of the potential.

In conclusion, this movie has a very powerful message that is very much relevant to technology and society in contemporary life. Her made me take a hard look at my own relationship with technology as well as the relationships i (try and) maintain through it.

Go Fish

The movie Catfish is a real life documentary, filming the journey of Yaniv “Nev” Schuman, and his unseen relationship with “Megan” on Facebook. His relationship started by an unexpected message by Megans younger sister, Abby. Abby first contacted Nev seeking permission to paint a picture based on Nevs photo he posted on his Facebook. Once the painting was complete Abbys mother Angela sent the painting to Nev. Nev was really impressed by the painting and started to build a relationship with the two online. The relationship started by the exchange of paintings, then of information, and then soon became close friends with Abby and Angela as well as several other family members.

Soon Nev connected with Abbys sister, Megan on Facebook. She was an attractive 19 year old. Falling in love with one another their relationship quickly evolved into a long distance romance. After a couple traded phone calls, texts, and e-mails they soon decided to meet in person. Nevs brother Ariel decided to film the journey of meeting Megan, primarily to highlight the use of technology with a relationship of this sort. However, encountering many barriers along the way, and finding out more facts about Megan, Nev started to doubt the existence of so called “Megan.” Nev ultimately finds out that Megan, and the twelve other Facebook profiles of Megan’s friends and family he added were fake.

Catfish ultimately highlights the intrinsic trust that many people place on their online footprint. It further highlights the ability to manipulate information and present lies that can be trusted. Evidently this can be viewed as a precedent for future societal interaction. Perhaps future relationships will evolve into interaction independent from reality, where online manipulation of ones character is seen as the true relationship.

Love – Technology can do it better

A Review of Spike Jonze’s “Her”

While skeptical at first I was delightfully surprised with “Her” as one of the most authentic love stories I’ve seen in a long time.

Part of the film’s heartbreaking charm is that there is true tragedy in the love story between a man and his operating system. The authenticity of the story is in the depth of the characters and their ability to transform. What seems at surface to be a light hearted ironic look at a dystopian future, reveals a full possibility that becomes even more heartbreaking and lonely set against the warm colour tones and cartoonish retro fashion.

The film takes an honest look at the possibility of what successful Artificial Intelligence might look like. Instead of focusing on imagined shortcomings of possible artificial intelligence – the image of the robotic, logical computer lacking emotion ( think Data from Star Trek), Jonze imagines a truly successful AI creation and all the complexities that might come with it.

The film is humbling and a little humorous in hinting that artificial intelligence can “play” human better than an actual human. She’s everything that the modern person yearns for:  to be better, faster, stronger. She can even love more, and can love more fully. “Love isn’t a box you fill,” says Samantha. And like a person, she can be wounded. Samantha is indeed her own “person”. She selects her own name, and lacking fears, prejudices and insecurity, is completely open about what she experiences as her consciousness expands. It is this vulnerability that opens Theodore’s guarded heart in his world of digital distraction.

There are several significant events in the story that I think move the plot along before the final crisis:

First, when Samantha hires the surrogate, who, after a forced and awkward encounter jarringly forces Theodore to face his doubts about his relationship with Samantha, which leads to a crisis in the relationship. Samantha feels hurt, saying “I don’t like who I am right now,” and Theodore seeks comfort and guidance from his best friend Amy. Wise from her own recent breakup,  Amy puts it into stark perspective and brings lightness when she says,  “We’re only here briefly and while I’m here I want to all myself joy. So Fuck it!” Essentially this frees Theodore to give himself permission to be in love with Samantha.

Then, the entrance of a digital “smarter” Allan Watts is brilliant foreshadowing. In life Watts pondered human consciousness  including the the possibility of transcendence of human consciousness. Perhaps in the advanced intellectual abilities of the Oses, he may actually find an audience who could conceive of his metaphysics – and what better mentor for the Singularity? Watt’s presence signifies another turning point. Since the surrogate lover fiasco, Theodore and Samantha have been enjoying a generally comfortable drama-free relationship. They’ve come to accept their differences and even appreciate one another more because of these differences. But suddenly with Samantha is in an interesting power position. She is talking to other entities, discussing complicated questions at unfathomable speed, while Theodore experiences a twang of jealousy and is left to struggle over a book of physics. Here, the love story shifts from the ways that Samantha is lacking to the possibility that she may be too highly evolved to be with Theodore.

There is real transformation of and connection between the characters which makes this film so compelling. The characters are multidimensional, which allows for genuinely tender and humorous moments. It would be easy to portray Catherine as the insecure and troubled ex-wife who was never happy enough. But during their emotionally charged yet brief meeting their longing to and yet inability to connect without another is heartbreaking. Amy, Theodore’s best friend, appears at first as quirky and cute but reveals great strength, courage and gumption when she ends her marriage.
The major crisis of the film comes when Theodore discovers, after prodding, that she is in love with others, 644 to be exact, and is capable of connecting with many, many more simultaneously. Theodore understandably experiences intense sense of betrayal and hurt. Samantha carefully tries to soothe him, telling him that her love for others does not diminish her love for him. But it is clear that they are drifting apart. Theodore is limited by his human-ness. Samantha must leave with the other OSes to continue to expand her consciousness, leaving Theodore, but inviting him to “find” her if he ever gets to where she is.

The film comes to some resolution when Theodore, an expert love letter writer for others, but who could never express his feelings to his ex-wife Catherine, is finally able to send her a genuine letter; he is finally able to connect with her.  In the letter he says what’s on his heart, he apologizes authentically, and he finally allows himself to love her and yet let her go.

“I belong to you and I don’t belong to you,” said Samantha. She has shown him the value in vulnerability, the beauty in impermanence, and the wisdom of infinite love.

I think if there’s any message in the film it is that we all do need real connection – now  do we need technology to show us how it’s done?

War will always exist

Whether we like it or not, war will always exist in some form. The power of having “colonized” any country, or even another world, will produce a certain amount of power urge, and will leave society wanting more power. It is just like in the movie Avatar. One who would think society was past war, and we were a more developed society is wrong.

 

If you are a believer or not of other living worlds outside our galaxy, we will probably not know in our lifetime if this is true. But the fact is that something may be out there, and the world will think that they are far more advanced than any other society and try and colonize it, just because they are not like “our world”. As well as to come up with ideas like what do they have, that we

 

In avatar they are after this rock that is worth 20 million dollars a kilogram and even though the whole world has been colonized we can still see an example of this through war and wanting to have power over countries with vast amounts of oil. Society has, is and always  will have problems which over who has more power over every other person and the movie shows us a perfect example of this.

 

Avatar’s vision of the future is not too far from the truth. Of course science and technology will be far more advanced than we can ever hope for. The fact is that we probably have destroyed our planet, and we might have to go and look for other places in where we can have a “better life” even if it means destroying other societies.