{"id":42,"date":"2022-10-09T19:40:17","date_gmt":"2022-10-09T19:40:17","guid":{"rendered":"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/?page_id=42"},"modified":"2022-11-16T18:18:41","modified_gmt":"2022-11-16T18:18:41","slug":"fine-arts","status":"publish","type":"page","link":"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/fine-arts\/","title":{"rendered":"Fine Arts"},"content":{"rendered":"<h2 class=\"profile-position\">Mentors of the Faculty of Fine Arts<\/h2>\n<hr \/>\n<div class=\"profile-position\"><strong>Brian Richmond<img loading=\"lazy\" decoding=\"async\" class=\" wp-image-339 alignleft\" src=\"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-content\/uploads\/sites\/7363\/2022\/11\/Brian-Richmond-199x300-1.jpg\" alt=\"\" width=\"186\" height=\"280\" \/><\/strong><\/div>\n<div>\n<div class=\"profile-position\"><em>Professor<\/em><\/div>\n<div>Department of Theatre<\/div>\n<div class=\"profile-department\"><span style=\"font-size: 11px\"><span style=\"font-size: 11px\">I grew up in a family who had worked tirelessly in hard labour positions for centuries. None had ever pursued a university education. I was on the same life-path until I discovered the theatre. This led me to work opportunities and studies around the world. I believe that the obstacles presented to \u2018working-class\u2019 students in a university context is more than simply economics but arise from their encountering the differing mores of what are, largely, middle class institutions. My hope is that my life experience may assist students seeking to transcend these boundaries through their engagement in the great art of the theatre.<\/span> <\/span><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>\n<p style=\"text-align: right\"><a href=\"https:\/\/www.uvic.ca\/finearts\/theatre\/people\/profiles\/faculty\/richmond-brian.php\">View Brian Richmond&#8217;s UVic profile<\/a><\/p>\n<hr \/>\n<div class=\"profile-position\"><strong>Danielle Geller<img loading=\"lazy\" decoding=\"async\" class=\" wp-image-340 alignleft\" src=\"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-content\/uploads\/sites\/7363\/2022\/11\/geller_danielle-210x300.jpg\" alt=\"\" width=\"199\" height=\"284\" srcset=\"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-content\/uploads\/sites\/7363\/2022\/11\/geller_danielle-210x300.jpg 210w, https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-content\/uploads\/sites\/7363\/2022\/11\/geller_danielle.jpg 308w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/strong><\/div>\n<div>\n<div class=\"profile-position\"><em>Assistant Professor<\/em><\/div>\n<div>Department of Writing<\/div>\n<div><span style=\"font-size: 11px\">Danielle Geller is an Assistant Professor in the Writing Department, and she is also a faculty mentor for the low-residency MFA program at the Institute of American Indian Arts. She received her MFA in creative writing at the University of Arizona. She writes personal essays and memoir, and her first book, <\/span><i><span style=\"font-size: 11px\">Dog Flowers<\/span><\/i><span style=\"font-size: 11px\">, was published by One World\/Random House in 2021. Her essays have also appeared in\u00a0<\/span><i><span style=\"font-size: 11px\">Guernica<\/span><\/i><span style=\"font-size: 11px\">,\u00a0<\/span><i><span style=\"font-size: 11px\">The New Yorker<\/span><\/i><span style=\"font-size: 11px\">,<\/span><span style=\"font-size: 11px\">and<\/span><i><span style=\"font-size: 11px\">\u00a0Brevity<\/span><\/i><span style=\"font-size: 11px\">.\u00a0<\/span><span style=\"font-size: 11px\">\u00a0Her research interests include archives, intergenerational trauma, Indigeneity, video games, and science fiction, and she snorkels, takes pictures of birds, and weaves in her free time.<\/span><\/div>\n<div class=\"profile-department\">\n<p><span style=\"font-size: 11px\"><br \/>\nWebsite : <a href=\"https:\/\/daniellegeller.com\/\">https:\/\/daniellegeller.com\/<\/a><\/span><\/p>\n<\/div>\n<\/div>\n<div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right\"><a href=\"https:\/\/www.uvic.ca\/finearts\/writing\/people\/faculty\/profiles\/geller-danielle.php\">View Danielle Geller&#8217;s UVic profile<\/a><\/p>\n<hr \/>\n<div class=\"profile-position\"><strong>Steven Capaldo<img loading=\"lazy\" decoding=\"async\" class=\" wp-image-201 alignleft\" src=\"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-content\/uploads\/sites\/7363\/2022\/10\/steven-capaldo-267x300.png\" alt=\"\" width=\"202\" height=\"227\" srcset=\"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-content\/uploads\/sites\/7363\/2022\/10\/steven-capaldo-267x300.png 267w, https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-content\/uploads\/sites\/7363\/2022\/10\/steven-capaldo.png 505w\" sizes=\"auto, (max-width: 202px) 100vw, 202px\" \/><\/strong><\/div>\n<div>\n<div class=\"profile-position\"><em>Associate Professor<\/em><\/div>\n<div>Department of Music<\/div>\n<div><span style=\"font-size: 11px\">I was born and raised in a very small town over 2.5 hours\u2019 drive east of Melbourne in southern Australia and I\u2019m the first in my family to go to university. Growing up in this rural area, we never learned about universities, never saw them, and never went to one. It was clear to us that university wasn\u2019t really an option. I also didn\u2019t come from a musical family \u2013 although I later learned there was a history of music and performance far back on my mother\u2019s side \u2013 so I never feel like I belonged to the formal and established musical community either. Putting these two together by studying music at university made me feel even more like I didn\u2019t belong and that I was an imposter who had taken someone else\u2019s place. It took many years for me to feel as though I had a voice, a sense of place, and something to offer from a musical and academic perspective. Being a student at university can be extraordinarily positive, enriching, and fundamentally fulfilling, and I\u2019m excited to be able to support first generation students in finding this experience at UVic.<\/span><\/div>\n<\/div>\n<div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right\"><a href=\"https:\/\/www.uvic.ca\/finearts\/music\/people\/director\/profile\/capaldo-steven.php\">View Steven Capaldo&#8217;s UVic profile<\/a><\/p>\n<hr \/>\n<div class=\"profile-position\">\n<div class=\"profile-position\"><strong>Thembelihle (Thembie) Moyo<img loading=\"lazy\" decoding=\"async\" class=\" wp-image-382 alignleft\" src=\"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-content\/uploads\/sites\/7363\/2022\/11\/thembehlile-169x300.png\" alt=\"\" width=\"195\" height=\"327\" \/><\/strong><\/div>\n<div>\n<div><span style=\"font-size: 11px\">Born and raised in Zimbabwe, Thembie studied Journalism and Media at Amakhosi Arts Academy, and she enrolled in an evening course specializing in theatre, film, producing, and directing, graduating with a Diploma in Creative Arts in 2005, and a Diploma in Media Studies and Journalism in 2006. <\/span><span style=\"font-size: 11px\">Thembelihile&#8217;s plays include <\/span><i><span style=\"font-size: 11px\">Colour Blue<\/span><\/i><span style=\"font-size: 11px\"> (2010), <\/span><i><span style=\"font-size: 11px\">Let it Out<\/span><\/i><span style=\"font-size: 11px\"> (2014), The Prophetic Place and the one-act play, <\/span><i><span style=\"font-size: 11px\">Who Said I Don&#8217;t Want to Dance,<\/span><\/i><span style=\"font-size: 11px\">The latter play was presented by Philadelphia&#8217;s Pulley and Buttonhole Theatre in their 2018\/19 season. Her play, <\/span><i><span style=\"font-size: 11px\">I Want to Fly<\/span><\/i><span style=\"font-size: 11px\">, about an African girl who wants to be a pilot, is anthologized in <\/span><i><span style=\"font-size: 11px\">Contemporary Plays by African Women<\/span><\/i><span style=\"font-size: 11px\"> (Methuen, 2019) and Extracts- Cambridge University Press \u201cCambridge Lower Secondary English Stage 9 &amp; Pakistan English Textbook ,UK,2020: \u00a0 It had its first Canadian reading online in February 2022, presented by Regina\u2019s Globe Theatre. Prophetic Place,publication- University of Toronto Press, 2022. Currently a visiting Playwright in the department of Fine Arts and EQHR. <\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div style=\"text-align: left\"><span style=\"font-size: 11px\">Email : <a href=\"thembelihlemoyo@uvic.ca\">thembelihlemoyo@uvic.ca<\/a><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Mentors of the Faculty of Fine Arts Brian Richmond Professor Department of Theatre I grew up in a family who had worked tirelessly in hard labour positions for centuries. None &#8230;<\/p>\n","protected":false},"author":15946,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-42","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-json\/wp\/v2\/pages\/42","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-json\/wp\/v2\/users\/15946"}],"replies":[{"embeddable":true,"href":"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-json\/wp\/v2\/comments?post=42"}],"version-history":[{"count":13,"href":"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-json\/wp\/v2\/pages\/42\/revisions"}],"predecessor-version":[{"id":383,"href":"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-json\/wp\/v2\/pages\/42\/revisions\/383"}],"wp:attachment":[{"href":"https:\/\/onlineacademiccommunity.uvic.ca\/firstgen\/wp-json\/wp\/v2\/media?parent=42"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}